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Vertigo

Eyes of Hitchcock

Via Kogonada, here’s a short video exploring how director Alfred Hitchock uses the eyes of his subjects to create a sense of terror. The video was created for the Criterion Collection. Originally posted 2014-10-09 17:40:48. Republished by Blog Post Promoter

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Triple Bill: Real Human Beings, Or Counterfeit Lives: Thief, To Live And Die In L.A, And Drive

The following three crime dramas share a commonality of purpose and style, in the electro-pop tracked machinations of their flawed players. Three testosterone fuelled templates of urban male machismo – Michael Mann’s Thief (1979), William Friedkin’s To Live And Die In L.A (1985), and Nicolas Winding Refn’s ’80’s tinged love letter to both, Drive (2011). […]

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Jaws the Revenge: This Time It’s Ridiculous

Imagine someone were to blow you up. Next they electrocute you. Then blow you up again in 3D. Do you think you would hold a grudge? I think you would probably be mildly upset. Probably upset enough to plan some sort of revenge? The shark in Jaws the Revenge is something special. It is able to lay […]

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C Project Independent Short Films Premiere

  Saturday 31 March saw the culmination of a year of hard work by Marty Stalker of Scattered Images, to showcase the result of collaborative, independent film-making in Northern Ireland, with a free screening at Belfast’s Odeon cinema. Marty is a former schoolteacher from Liverpool, turned succesful film maker. His Scattered Images production company makes […]

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Scene Is Believing: Fitzcarraldo

Another post from the archives of DGA Quarterly, this time on one of the craziest of endeavors ever put on film – the transportation of a real steamboat over a mountain between river tributaries in a rain forest by director Werner Herzog, for Fitzcarraldo. Not for Herzog would a model miniature in a studio setting […]

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Scene Is Believing: Interstellar

“Time and tide wait for no man” – Chaucer The water planet Christopher Nolan’s Interstellar is full of spectacular images and locations, both space and planet bound. One of the most deadly is the watery world perched perilously on the limits of an orbit around a black hole, labelled Gargantua by the crew of the […]

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The Genius of Hitchcock: Filmmakers Discuss

Alfred Hitchcock  is possibly the director whose work has been most exhaustively analysed in the history of cinema, a state helped by his openness, compared to the closed mouthed giants of Hollywood such as John Ford or Howard Hawks who came before him. Hitch loved an audience. Guillermo Del Toro wrote admiringly in the August […]

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Do Architraves Dream Of Electric Sheep? Blade Runner’s Film Architecture

Alcon, the company that has the rights to the Blade Runner sequel, is openly courting Harrison Ford to reprise his role as Deckard, the is he/isn’t he a Replicant Blade Runner, in a move akin to John Cusack’s Lloyd Dobler holding a boombox aloft: “We believe that Hampton Fancher and Michael Green have crafted with […]

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Scene Is Believing: Rocky

“Montage, gotta have a montage. Even Rocky had a montage…” So went Team America. Rocky certainly did have one of the greatest and most uplifting of all cinema montages, as the titular pugilist (Sylvester Stallone) trains for his big fight with Apollo Creed. Most of the training montage was filmed with a skeleton crew in […]

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30 Years Of Hurt: David Lynch Before Dune Bugged Him

This year marks the 30th anniversary of the making and release of David Lynch’s adaptation of Frank Herbert’s seminal science fiction opus, Dune. Pretty much panned on its release and later dismissed by Lynch, it has few defenders, though I number myself among them. In October 1984, Paul Mandell interviewed a then enthusiastic Lynch on […]

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