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Scene Is Believing: Inglorious Basterds

Death Laughs At 24 Frames Per Second Inglorious Basterds is Quentin Tarantino’s most playfully cinephilic, meta-textual wish fulfillment fantasy – cinema as world changer. Quite literally, despite the bumbling “Basterds” independent addition to the night’s entertainment. It is Shosanna / Emmanuelle (Mélanie Laurent) who’s will shall triumph over those of the higher echelon Nazis, including Hitler […]