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Triple Bill: Real Human Beings, Or Counterfeit Lives: Thief, To Live And Die In L.A, And Drive

The following three crime dramas share a commonality of purpose and style, in the electro-pop tracked machinations of their flawed players. Three testosterone fuelled templates of urban male machismo – Michael Mann’s Thief (1979), William Friedkin’s To Live And Die In L.A (1985), and Nicolas Winding Refn’s ’80’s tinged love letter to both, Drive (2011). […]

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Scene Is Believing: Heat

Heat, Michael Mann’s sprawling, glorious epic of obsessive professionalism, ego, single mindedness and doomed relationships on either side of the law, sprang from that most innocuous of accidents: a cop bumping into a suspect and inviting him for a coffee. Mann first had the idea for Heat in the 1970’s when his friend Chuck Adamson, […]

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