piece 2

Triple Bill: Real Human Beings, Or Counterfeit Lives: Thief, To Live And Die In L.A, And Drive

The following three crime dramas share a commonality of purpose and style, in the electro-pop tracked machinations of their flawed players. Three testosterone fuelled templates of urban male machismo – Michael Mann’s Thief (1979), William Friedkin’s To Live And Die In L.A (1985), and Nicolas Winding Refn’s ’80’s tinged love letter to both, Drive (2011). […]